In 1980 Writer-Director James Glickenhaus delivered The Exterminator, a lurid piece of exploitation riding on the dying coat-tails of the grindhouse world; four years later this follow-up was released to maybe 13 theaters nationwide, however Glickenhaus had moved on. The sequel was directed by Mark Buntzman, who had produced the original film. But whereas Glickenhaus had made more of a horror/
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