This massive, multipaneled display features both individual and series ATCs, mounted in plastic sleeves. It’s an incredible collection.
I’m showing a few of my favorites, in no particular order. We weren’t allowed to detach the cards from the sleeves, so I can’t tell you who these artists are – if you are one, let me know and I’ll credit you. Meanwhile, just know that this amazing body of work represents many individuals’ artistic talents. It was worth seeing!
Public TV Pick of the Week
Sitting on my desk is a DVD of “My Boy Jack,” airing Sunday, April 20, on “Masterpiece” (previously “Masterpiece Theatre”) – it’s at 9 p.m. here in Michigan. I’m dying to preview it and haven’t had time, but I’m giving it my “pick of the week” because it just sounds so darned good!
Think “Harry Potter Goes to War.” World War I, that is. Daniel Radcliffe, everyone’s favorite boy magician, plays a more worldly character in this adaptation of David Haig’s play about Rudyard Kipling and his son, Jack, who enlists for “The Great War” and ends up missing.Haig (from “Four Weddings and a Funeral”) wrote the drama, based on his play, and plays Kipling. Kim Cattrall (Samantha of “Sex in the City”) plays Kipling’s wife, Carrie. Radcliffe is Kipling’s son, a young man obsessed with serving his country and escaping from the shadow of his famous father.
Underage and hopelessly myopic at the outbreak of World War I in 1914, Jack desperately wants to join the fight, which is unfolding with unspeakable horror in France — although this awful truth has not yet sunk in with the patriotic 17-year-old.
In the press release Haig said “It is impossible to overemphasize [Kipling’s] status in 1914. He was the voice of the empire, he had the ear of the king and the prime minister, and was as globally popular (and, incidentally, as wealthy) as J. K. Rowling is today.”
A hard-line proponent of the war, Kipling passed on this same sense of unquestioned duty to his son. As events unfold, Jack twice fails his induction eye exam, and Kipling ultimately uses his friendship with a celebrated field marshal to get the boy an officer’s commission in the Irish Guards, an infantry unit destined for the front lines. Kipling even gives permission for Jack to go into combat before he’s 18.
But then Jack is part of the infamous Battle of Loos in the fall of 1915, which costs more than 20,000 British lives. A few days later, a telegram arrives at the Kipling estate. Jack is missing, presumed injured.
Kipling never recovered his childlike delight in storytelling. The author of The Jungle Book and Kim turned to more somber works such as this poem, written shortly after Jack’s disappearance, which begins:
Have you news of my boy Jack?
Not this tide.
When d’you think that he’ll come back?
Not with this wind blowing, and this tide.
In the press release Haig said “It is impossible to overemphasize [Kipling’s] status in 1914. He was the voice of the empire, he had the ear of the king and the prime minister, and was as globally popular (and, incidentally, as wealthy) as J. K. Rowling is today.”
A hard-line proponent of the war, Kipling passed on this same sense of unquestioned duty to his son. As events unfold, Jack twice fails his induction eye exam, and Kipling ultimately uses his friendship with a celebrated field marshal to get the boy an officer’s commission in the Irish Guards, an infantry unit destined for the front lines. Kipling even gives permission for Jack to go into combat before he’s 18.
But then Jack is part of the infamous Battle of Loos in the fall of 1915, which costs more than 20,000 British lives. A few days later, a telegram arrives at the Kipling estate. Jack is missing, presumed injured.
Kipling never recovered his childlike delight in storytelling. The author of The Jungle Book and Kim turned to more somber works such as this poem, written shortly after Jack’s disappearance, which begins:
Have you news of my boy Jack?
Not this tide.
When d’you think that he’ll come back?
Not with this wind blowing, and this tide.
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